Yes that's the "traditional Highland Day dress" as I knew it when I first got into kiltwearing, in the mid-1970s.
Here are some prominent piping gents in the 1950s showing exactly the same dress seen in the Semple illustrations
Wow, 30 years away from the Pipe Band world!
I never went away from the Pipe Band thing for more than a couple years at a time, so I lived through both the evolution of how bands dress, and the evolution in musical aspects.
When I joined my first band in 1977 bands around here (California) were starting to follow the trend set for us by the top Canadian bands, which we looked up to because we could never beat them!
Up until then bands here were still wearing Full Dress with feather bonnets etc. The Canadian bands had recently switched to an outfit that looked cool and trendsetting then, but looks dated today: Balmoral bonnets, black Prince Charlies (or less often black Argylls) with long ties, hand-knit cream-coloured Arran hose, and black Ghillies.
(Grade One Canadian band in 1976)
(Grade One Canadian band 1979)
By the mid-1980s a new and completely standardised Pipe Band uniform had appeared:
black Glengarry
black Argyll
long necktie
white shirt
black leather Hunting sporran with chrome top
gleaming pure white hose with bobble/popcorn tops
black Ghillies
black bag-covers
As you see everything was either black or white save for the tartan of the kilt, the necktie, and the flashes. Black ties and flashes were common, thus eliminating all colour but the kilt.
This uniform was worn by all top competition bands the world over. The only changes that have happened have been:
-in the early 2000's bands abandoned jackets for competition and went to waistcoats sans jackets, the waistcoats usually being black, less often navy blue.
-around 2010 bands abandoned white hose and went to black, navy blue, or charcoal grey.
-just within the last couple years some bands are going with grey, blue, or brown tweed waistcoats and Lovat hose.
With the pipes themselves, in 1977 we were playing wooden Hardie chanters at 466. Then around 1980 we got plastic chanters that were around 469. By 1990 the pitch had risen up to the high 470s and today it's between 480 and 485.
With the drums Kevlar heads came in allowing higher pitch. The main thing in the drum corps, as you have seen, has been The Rise Of The Mid Section. In the 1970s tenor drums were there mainly for show. Now bands might have 8 tenor drums all tuned to different notes, playing sophisticated scores.
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