Actually the machine I was describing is a portable one.

I used to have a Bernina from the '70's that was portable and had all the features I described. But Bernina ceased making them and now make only Quilting machines. I think the old model was no. 88 or 8800.

The nice thing that this old machine had was a knee lift lever. It plugged into the base of the machine during set up and was almost as nice as that on my industrial machines.

The only real advantage of an industrial machine is the ability for them to last a VERY long time. Years of daily rough use and you can replace or repair every part of them.

The disadvantage of thinking you need an industrial machine is that most are designed for one specific task. They are used in shops where one person sits at the machine all day long and does the same job over and over. When the garment requires a different operation it is taken over to a different station which has a different machine designed for just that job.

An industrial machine will do the exact same stitch. With exactly the same tension and stitch length over and over. 2 or 3 million times at 2000 stitches a min.

The only reason I use Industrials in my shop is that I didn't want to be buying new machines every two or three years. But I do this for a living.

I'm describing a machine that you can buy fairly cheaply and put away when not in use. It will last and sew well enough to make all the Kilts one person can make for themselves.

I would also like to stress that I am not going to teach sewing machine operation or train someone to open their own business. I'm going to give all the hints and tips I have learned and developed over the past six years of making Kilts. Those internal construction techniques that you don't see in the finished product and those that will insure the Kilt you make, will look like a Kilt, will swish like a Kilt and will last for years.

It will not be my goal to teach you how to make a Freedom Kilt. You will not be copying any other companies Kilt or style of Kilt. The idea of the course is to teach you the basics so you can create something totally new and different. It's much more of a design course than a sewing course.

Here is what you will need to bring to Kilt Kamp for "The Art of Contemporary Kiltmaking".

1- Sewing Machine. With Zigzag if it has it. And don't forget the bobbins.
1- Steam Iron
1- Sheet of corrugated cardboard about 26" wide X 4 feet long rolled up. This is your layout & marking table.
2- Adhesive tape measures to stick on your layout table.
1- Straight edge or yardstick. 24" to 1 meter long. The measuring increments should be to 1/16", and nice and readable.
2 or 3- Tailors Chalk. Two colors is nice to have.
1- Pair of good scissors or an "Olfa" cutter and pad.
1- Large bath or beach towel for your ironing table.
1- Pack of hand sewing needles. If you are not used to hand basting bring a pack of long darning needles.
1- spool of basting thread. I like upholstery thread. In a contrasting color to your Kilt.
Enough fabric for your Kilt. Try to find a good quality, heavy, Poly/Cotton of about the same thickness as "Dockers" slacks. (Don't skimp on your fabric. Buy the best you can afford. The difference between $4.00/yard and $12.00/yard is only $32.00.)
You will need a minimum of 4 yards for a Kilt with a Hip size up to 42". And then at least a foot more for each pocket you want to add.
Your fabric can be a solid, a print, a Tartan, whatever. That is the beauty of the Contemporary Kilt. It can be made from almost any good quality fabric. (Please pre-shrink your fabric before the course. Throw it in the washing machine in hot water and heavy duty cycle.)
3 or 4 spools of a good quality machine sewing thread. I would suggest Guttermann brand 100% Polyester but the new Coats & Clarks XP thread will work just as well. If you want the stitching to blend with the fabric get a shade darker than your fabric. If you want contrasting stitching then let your imagination go wild.
2 packages of Fusable waistband interfacing. The kind that has perforations in the middle and can be torn into 1 1/2" - 2" wide strips.
Something for fasteners for your Kilt. This can be buttons, Velcro, Straps & Buckles or almost anything.

Then there are some handy things that you may want to have but are not necessary.
A pair of small pointed snips for cutting threads as you sew.
A thimble if you use one.
A 2" X 18" clear quilters ruler.
Some masking tape.
A flexible tailors tape measure.
A portable "Ott" light or other bright task light.
A 6" plastic triangle.
A Pen & pad of paper. This is for taking notes and also for marking on your masking tape and for recording your calculations.
A small portable calculator.

Day one -
The Design of the Contemporary Kilt.
The Fit of the Kilt.
Different Pleating Styles.
Different Pocket Ideas.
Measuring for your Kilt.

Day Two -
The Basics of Laying-out Pleats.
The Lay-out of Hems.
The Lay-out of Aprons.
How to fasten the Kilt.
The internal construction of the Kilt.
Stitching the Pleat edges.
Tapering the Fell.
Steeking.

Day Three -
Constructing and Installing Pockets.
Installing a Waistband.
Installing Belt Loops.
Adding the fasteners.
Finishing off your Kilt.
How to wear your Kilt.

I don't think anyone will be able to finish a Kilt in the three days of the course. A Contemporary Kilt takes as long, if not longer, to make than a Traditional Hand-sewn Kilt. But when you leave, you will have all the information you will need to go home and finish the Kilt and feel confidant in doing so.