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  1. #11
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    2nd January 10
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    Quote Originally Posted by M. A. C. Newsome View Post
    Wow, Peter, I'm happy that you got Dalgliesh to do the herringbone selvage. Did they give you any trouble over that?
    Surprisingly no! It does help to know what one is taking about and having a good working relationship with them. There was a small surcharge that I passed on and it was not too taxing insofar as I stated the number, 10 ends x 6 bands which is a traditional size. He had some trouble with that so I accepted his compromise of 12 x 6.

    In the past they have done me offset cloth but I've had to lay out the whole warp to the exact end. I'm not too sure how they'd react to an offset piece with a herringbone! Actually it's not difficult if you know what you're doing but it's not the commercial norm as you'll appreciate.

  2. #12
    Join Date
    2nd January 10
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    Quote Originally Posted by English Bloke View Post
    Probably my eye and with the greatest respect, but I don't think your client's version is even close (perhaps that was the deliberate intention and it wasn't absolute replication that was sought?). The thin, light stripes in the original painting are considerably more subtle. I think your interpretation is better and I agree a dull yellow would have helped to tone it down. Thanks for showing us this. Very interesting stuff.
    Oh I have to agree. One can take a horse to water.....!

    The original (my interpretation, is to my eyes so much nicer and much more likely what it would have looked like. Thee's no accounting.........

  3. #13
    Join Date
    6th February 10
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    Quote Originally Posted by SlackerDrummer View Post
    Mine, too.



    What he said.
    I couldn't agree more! Beautiful portrait by the way, an idea who the artist was?

    Cheers,
    Last edited by creagdhubh; 18th April 12 at 08:49 AM.

  4. #14
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    2nd January 10
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    Quote Originally Posted by creagdhubh View Post
    I couldn't agree more! Beautiful portrait by the way, an idea who the artist was?

    Cheers,
    The portrait is attributed to Domenico Dupra who is known to have painted and/or copied portraits of a number of Jacobite leaders.

  5. #15
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    6th February 10
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    Quote Originally Posted by figheadair View Post
    The portrait is attributed to Domenico Dupra who is known to have painted and/or copied portraits of a number of Jacobite leaders.
    Yes, I know Dupra's work very well, I should have known! Thanks, Peter.

    Cheers,

  6. #16
    Join Date
    11th July 05
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    Alexandria, VA (USA)
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    Thanks for showing that tartan and the portrait! I also agree with your interpretation of soft yellow versus that bright white stripe. I would imagine that the Italian artist painted Drummond while the latter was in post-Culloden self-exile in Rome. Again, another portrait of a Highland nobleman wearing red-based tartan to display social status.

    That herringbone selvedge and my pending tax refund has got me thinking...

  7. #17
    Join Date
    18th September 08
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    Quote Originally Posted by figheadair View Post
    The original (my interpretation, is to my eyes so much nicer and much more likely what it would have looked like. Thee's no accounting.........

    Another vote for your interpretation. I'm familiar with the portrait of Lord Drummond (though I've never seen the original) from doing research into the Royal Ecossais, but don't quite see the "recreation" as being what he is painted wearing. The width of the white stripes appears too wide - but that could be me.
    Virginia Commissioner, Elliot Clan Society, USA
    Adjutant, 1745 Appin Stewart Regiment
    Scottish-American Military Society
    US Marine (1970-1999)

  8. #18
    Join Date
    2nd January 10
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    I've been fortunate to see the original and have no doubt that my interpretation is more accurate.

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