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  1. #1
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    Some good African Blackwood pipes in the $800-900 range.

    1983 Kintails for $800 including shipping; seller doesn't have much feedback https://www.ebay.com/itm/26523307538...MAAOSwyc5g8iCq

    Near-new MacRaes for $830 including shipping. https://www.ebay.com/itm/29427301748...AAAOSwbNFg7hTu

    Now for something completely different: Dave Atherton has been putting new pipes on Ebay from time to time.

    He has two sets up for $1,800 each, which I don't have to tell you is much less than his pipes sometimes go for.

    https://www.ebay.com/itm/27486647148...AAAOSwyoxg7fl4

    I know of a few makers of Irish traditional instruments, uilleann pipes and wooden flutes, who have lost their patience with the traditional business model for such instruments:

    1) buyer contacts maker to discover wait time and options, then puts in his order, placing a 50% deposit to get on the wait list.

    2) buyer buys a "make-do" instrument to play during the wait period.

    3) when maker completes the instrument, which could be several months to several years, he contacts the buyer, who then pays the remainder.

    This led to most respected makers getting very long wait lists, up to 10 years, at which point the makers "closed their books".

    With most (perhaps all) makers, famous players could covertly bypass the queue. There are stories of famous players getting their instrument stolen while on tour and having a new instrument within days, from makers having closed books.

    The fact that every instrument they made was bespoke gave the makers virtually no artistic freedom, and they were regularly hounded by buyers wondering why they still hadn't received their instrument which had been promised for several years ago. (For some reason the makers always grossly underestimated how long it would take.)

    This has led to several makers closing their books forever, and as soon as they had caught up with their orders, clearing their books, they began a new business model, far less stressful:

    1) they make whatever instrument they want to make, and take as long to make it as they please.

    2) when an instrument is completed it is put up for sale.

    3) if a buyer likes what he sees, he gets a top instrument from a top maker with no wait at all.
    Last edited by OC Richard; 21st July 21 at 04:43 AM.
    Proud Mountaineer from the Highlands of West Virginia; son of the Revolution and Civil War; first Europeans on the Guyandotte

  2. The Following 2 Users say 'Aye' to OC Richard For This Useful Post:


  3. #2
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    Sometimes sellers try but fail for accurately listing their items. Here's a set of 1980s Hardies - flat combing/beading with marbleized-imitation ivory. Seller listed this set as Pakistan origin starting at $25. I offered $50 and the pipes arrived in a mostly-empty large box with no packing materials. The imitation ivory had seriously outgassed over the years and split on most of the pieces. Otherwise the set showed no sign of being played. The bag had remnants of old seasoning but otherwise was airtight. Cover and cords pristine. Funds from selling the bag and cover, as is, more than covered the purchase price. The pipes are at RG Hardie right now and being re-fitted with new mounts, rings caps, bushes, sole and a check/touchup of tone chambers (if needed) for a very reasonable cost. The wood has no defects, narrow bores are not the tiny bores, the original finish is unblemished, and the very dark/rich African Blackwood looks nice in the sunshine and black with inside lighting...nice tone to boot.

    https://www.ebay.com/itm/144086722979

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  5. #3
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    13th October 10
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    Nice find. Some idiot probably told the seller that the Royal Stuart bag cover indicated that the pipes were Pakistani. I've seen this nonsense repeated a number of times on online forums over the years.

  6. #4
    Join Date
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    Quote Originally Posted by OC Richard View Post
    Some good African Blackwood pipes in the $800-900 range.

    1983 Kintails for $800 including shipping; seller doesn't have much feedback https://www.ebay.com/itm/26523307538...MAAOSwyc5g8iCq

    Near-new MacRaes for $830 including shipping. https://www.ebay.com/itm/29427301748...AAAOSwbNFg7hTu

    Now for something completely different: Dave Atherton has been putting new pipes on Ebay from time to time.

    He has two sets up for $1,800 each, which I don't have to tell you is much less than his pipes sometimes go for.

    https://www.ebay.com/itm/27486647148...AAAOSwyoxg7fl4

    I know of a few makers of Irish traditional instruments, uilleann pipes and wooden flutes, who have lost their patience with the traditional business model for such instruments:

    1) buyer contacts maker to discover wait time and options, then puts in his order, placing a 50% deposit to get on the wait list.

    2) buyer buys a "make-do" instrument to play during the wait period.

    3) when maker completes the instrument, which could be several months to several years, he contacts the buyer, who then pays the remainder.

    This led to most respected makers getting very long wait lists, up to 10 years, at which point the makers "closed their books".

    With most (perhaps all) makers, famous players could covertly bypass the queue. There are stories of famous players getting their instrument stolen while on tour and having a new instrument within days, from makers having closed books.

    The fact that every instrument they made was bespoke gave the makers virtually no artistic freedom, and they were regularly hounded by buyers wondering why they still hadn't received their instrument which had been promised for several years ago. (For some reason the makers always grossly underestimated how long it would take.)

    This has led to several makers closing their books forever, and as soon as they had caught up with their orders, clearing their books, they began a new business model, far less stressful:

    1) they make whatever instrument they want to make, and take as long to make it as they please.

    2) when an instrument is completed it is put up for sale.

    3) if a buyer likes what he sees, he gets a top instrument from a top maker with no wait at all.

    I really like Atherton's pipes. I really dislike the fake ivory and aluminum. I know I should care more about the sound, but I also know he has had both silver and holly sets up, and while I missed out on those, I'm waiting to see if anything like that ever comes back up.

  7. #5
    Join Date
    18th October 09
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    Orange County California
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    Quote Originally Posted by WalesLax View Post
    I really like Atherton's pipes. I really dislike the fake ivory and aluminum. I know I should care more about the sound, but I also know he has had both silver and holly sets up, and while I missed out on those, I'm waiting to see if anything like that ever comes back up.
    A guy in my band recently got full imitation ivory Athertons (the MacDougall model) and I have to say the imitation ivory is very nice.

    Naill and Atherton (and perhaps others too) can do a thing where they discolour the plastic in a way that makes it look very much like real ivory, where the high points are darkened and the low points stay the pure ivory colour.

    (Atherton "aged" imitation ivory)



    Personally I don't like the pure cream-coloured plastic they use nowadays. I have two sets, one a 1940s Stark that's just wood with nickel rings and ferrules, and a 1940s supposed Lawrie with nickel ferrules and catalin rings (which have darkened to a glorious dark orange

    My set and two other nearly identical sets all said to be made by Lawrie in the 1940s during a supposed period when they switched to rolled seamed ferrules. (The set to left has a replacement bass bottom, my set to centre has a replacement bass midsection.)



    About aluminium, I had a Dunbar set full engraved aluminium and you could see those gleaming in the sun all across the field! People would come up and ask "how did you get the silver so bright?" and I would show them the aluminium and let them hold the pipes to see how lightweight they were. People would ask "how often do you have to polish them?" and I would say "never".

    I played this set for years in the California and Nevada sun and Scottish rain and never polished them once. The only thing I would do was wipe off my fingerprints with the towel that's always in my pipe case, once in a while.

    Last edited by OC Richard; 6th September 21 at 04:48 AM.
    Proud Mountaineer from the Highlands of West Virginia; son of the Revolution and Civil War; first Europeans on the Guyandotte

  8. The Following 3 Users say 'Aye' to OC Richard For This Useful Post:


  9. #6
    Join Date
    18th October 09
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    Here's a set where I'm going to grab some popcorn and watch the bidding.

    Glorious silver & imitation ivory Gillanders & McLeod

    https://www.ebay.com/itm/27493406063...IAAOSwBDRhM6n0

    Back in the 1980s a guy in the band bought a new silver & ivory set just like this and the sound was wonderful.

    He told me that old Bob Gillanders did the engraving himself, while sitting in front of the telly at night!
    Last edited by OC Richard; 6th September 21 at 04:24 AM.
    Proud Mountaineer from the Highlands of West Virginia; son of the Revolution and Civil War; first Europeans on the Guyandotte

  10. #7
    Join Date
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    And here's an obviously Pakistani set, though with a Scottish-made chanter inserted.

    https://www.ebay.com/itm/32477841891...0AAOSwcLphL~wc

    All I can make out from the stamp is "O".

    If we knew what letter was before or after the O, or how many letters total there were and in which place the O was, we would probably know.

    For example

    _ _ _ _ _ O _

    could be MacLEOD but

    _ O _ _ _ _


    could be FORFAR.
    Proud Mountaineer from the Highlands of West Virginia; son of the Revolution and Civil War; first Europeans on the Guyandotte

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