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  1. #1
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    Pleats all round

    I've not seen this illustration before (perhaps it has been posted prior to this)
    This is attributed as Lord Mungo Murray (1668-1700) on another forum.
    What stands out to me among all the rest of it - is that the pleats appear all round.

    Click image for larger version. 

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    President, Clan Buchanan Society International

  2. #2
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    Quote Originally Posted by ctbuchanan View Post
    I've not seen this illustration before (perhaps it has been posted prior to this)
    This is attributed as Lord Mungo Murray (1668-1700) on another forum.
    What stands out to me among all the rest of it - is that the pleats appear all round.

    Click image for larger version. 

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    There are a number of similar portraits of that period that show pleats all the way around. These may provide evidence of the use of a draw-string as a gathering mechanism. Look at the portraits of Lord George Murray and that of the MacDonald Boys for example.


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  3. #3
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    It is so important to view these historical renderings in the context of the time they were contemporary. And the need to be particularly aware of the way things were done and what types of accessories were available.

    Thanks for putting a perspective on it.
    President, Clan Buchanan Society International

  4. #4
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    The painting "Evening at Balmoral" by Carl Haag, 1854 also shows some kilts that are pleated all around and at least one with aprons.
    This is the painting which is on the cover of my paperback copy of "The Invention of Tradition" by Hobsbawm & Ranger.

    Steve Ashton
    Forum Owner

  5. #5
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    Peter,

    Do you know if any of these pleated all around kilts exist in museums?
    Steve Ashton
    www.freedomkilts.com
    Skype (webcam enabled) thewizardofbc
    I wear the kilt because:
    Swish + Swagger = Swoon.

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  7. #6
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    Quote Originally Posted by The Wizard of BC View Post
    Peter,

    Do you know if any of these pleated all around kilts exist in museums?
    Steve, simple answer, no, there are no survivng examples I'm aware of.

    The two pictures I posted almost certainly show the feileadh beag rather than a kilt (i.e. a sewn garment). I'm not convinced that the Haag picture shows any kilts that are pleated all the way around, I think its just the artist's interpretation of what he sketched. Whilst the are examples of early 19th century kilts with narrow aprons, there are none that have front pleats.

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  9. #7
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    Yea, one of those things we must keep in mind about old portraits. Paintings, not Photographs.
    And even the early photographs were often interpretations.
    Steve Ashton
    Forum Owner

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  11. #8
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    Isn't having pleats in back and two overlapping aprons in front merely a byproduct of how the garment was put on? (The plaid, an untailored rectangle of cloth.)

    If you have sewn-in pleats there's no particular reason for that arrangement, seems to me.
    Last edited by OC Richard; 5th September 19 at 04:43 PM.
    Proud Mountaineer from the Highlands of West Virginia; son of the Revolution and Civil War; first Europeans on the Guyandotte

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    Good morning,

    Do we know how the féileadh beag was put on a person? I have a belted plaid and have put that on me by laying it on the bed, folding it so the middle third is pleated, laid down on it, and belted it around me. Two overlapping front aprons with pleats in the rear. I've also tried Isaac Walter's method that he demonstrated on YouTube by sewing in belt loops -- results are the same but slightly less neat. What are your opinions about the féileadh beag?

    Thank you,
    Jonathan

  13. #10
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    Quote Originally Posted by ctbuchanan View Post
    I've not seen this illustration before (perhaps it has been posted prior to this)
    This is attributed as Lord Mungo Murray (1668-1700) on another forum.
    What stands out to me among all the rest of it ....
    I encountered this portrait before. Among other things, this is the only time I've seen a paned doublet worn with a kilt.

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